Generous layers of lotus root slices remain breathing through each others’ severed pipe-holes, peeled and cut like soldiers to be rinsed upon being extracted from the unexplored freshwater corners of the countryside. The slices all sit in a swamp of softening mounds, left to boil away in a family pot also heavy with white stones of crystallised sugar cane juice rapidly melting mineral sweetness into the lotus root flesh. As the increasing heat brings out the underground perfume of the country ponds, hovering memories are carried away by the steam liberated through the kitchen windows, dispersing their intensities of old throughout the pluvial spray bathing the garden. And how infinitely more fragrant the lotus root tea would be…if certain memories can be cleansed by the rain…all the while knowing that as surely as the crispiness of the lotus root flesh will last, such memories cannot disappear no matter how passionately cooling the almost whitening falls outside.

 

With the lotus root tea left to cool in the pot so that the aquatic slices can further marinate within their own unspoken textures, the desire for a nap takes over as the downpour outside drums the roof even more heavily. As the eyes close, a vision of the roof above emerges before a background of cherry blossoms…certainly not local to such an area where lotus leaves have long served as waves upon waves of terrestrial umbrellas carpeting the paths before and away from any cottage. Pastel pink, coral pink…none of that can solve the rawness of family problems…which is why cherry blossoms cannot substitute the commonness and familiarity of lotus leaves. I would much rather sleep, just in case they all float away with all the accidents that could possibly be orchestrated by the pluvial sprays. And then, I will be left all detached and far elevated with the same roof over my head…neat faithful rows of clay tiles shaped into bamboo pipes alternating with serpent scales, especially so that when I look up I will see hollow circles placed evenly apart looking upon me with the infinite humility of wild bamboo hollows chained together with upturned eyelashes…leading up the roof slope.

 

The window continues to frame a painting symphony where each wash, splash, and delightful bubbliness falls bare-bodied, never to be seen again. The song of the flow disentangles all intervals. As waking awareness drifts away into the capturing motions of the swirling mists, the rain maiden pours passionately upon the wave of clay tiles covering the garden wall, resting firm as a perfectly proportionate rhythm of a serpentine body. As so…wishing too that everyday events can be layered over with time as a white wall crowned with black tiles, too solid to be penetrated by even the most terrifying pluvial opulence, yet remaining vulnerable and unsheltered especially to be bathed…shedding substance at times, sweating gracefully…flowing forth immediately washed faults and tears, just so as to be assured that a garden wall that releases some of its secret particles through its own sunburnt cracks is indeed a wall that is still breathing…and serving its residence…

Would an onlooker care for a stone bridge levelled of old to a lowly arch?…a garden bridge so quieted by the greyness of its age and strength of having borne all seasons of erosions.
Along the sides of the streamlet, a latticed curtain of magnolia branches loosely veils without a second thought a statuesque umbrella of cherry blossoms spreading its sways around the corner. And they are so obvious…the cherry blossom and the magnolia who invite attention with every bloom.
Yet, would anyone notice the streamlet made even more humble by the smallest bridge arching over it? A visitor rarely notices the water flowing under the stone bridge whose greyness makes the streamlet sink further still into the bottom of the garden’s background canvas…the timeless water who stores all moods and conversations of those who walk over its bridge, never once clinging onto a single careless utterance or even a silly thought…because its flowing nature forgives all thought forms released into it.
Even when a magnolia releases a single petal into the streamlet, the colourless witness remains the ever so glad receiver, taking with its flow every delicateness to cleanse the harsher thought forms that spill over from those walking over the bridge whose moods have been contaminated by the outside world.
And so, with every faithfulness, the stone bridge and the streamlet…an old hardness and an ungraspable softness remain constant in their duty…to keep all things invisible lilting afresh within the confines of the garden air…

For the tale of the unnoticed never ends…

A bud at the tip of an exposed branch thinned down skeletal by the elements kowtows to the earth…a humble paint-brush writing imaginary calligraphy upon a grey-washed canvas that has undergone a day’s weaving from the invisible harshness of the army of wind-skates.
Winter’s grip squeezes together stores of rain-drops accumulating around the bud, until what should have become a magnolia paint-brush becomes entombed within dripping ice in turn prevented from dripping by the command of the freeze guards.
Yet, what a small price to pay…for the bud to sacrifice youth, freshness, and fragrance to become crystallised, reflecting light all over its own corpse as though life had never been taken away from it…like stars covering a silver banana of helplessly fused pearls…

A conversation between a mirror and a cream lotus nestled in a compact arrangement…

 

Lotus: I don’t have that much longer on this side. They’ve uprooted me and placed me in a hollow stone.

 

Mirror: You mean a ‘vase’…

 

Lotus: I don’t care for human language. To me, it is a hollow stone filled with water only to extend my life for a little bit.

 

Mirror: You mean, life as you know it on your side? My golden sweet, you already know that life itself does not end with the withering and falling of your petals.

 

Lotus: I am not golden. I am a cream lotus.

 

Mirror: But you will become golden soon, my sweet. Once you transition to my side of the room, you will become nothing less than the most fragrant illumination.

 

Lotus: Can ‘illumination’ be uprooted?

 

Mirror: On my side of the room, ‘illumination’ can never disappear. It only changes state, depending upon the human activity we are observing on the side of the room to which you are still bound. It is our compassion for the human world that inspires us to adapt the state of our illumination accordingly as we bathe wisdom upon humans to serve their highest good.

 

Lotus:  When I go to your side, I don’t want to return to this side anymore. I don’t want to keep on being uprooted and manipulated. I am tired. The wisdom you are talking about is not working very well for humans on this side.

 

Mirror: Once you transition to my side, the choice will always be yours, my sweet. No-one can ever take away your free will. The paths to your infinite advancement are yours to choose and to contemplate upon without any of the hindrances you have been facing on your current side. On my side, the mere imagination of growing petals will give you wings of clouds.

 

Lotus: So if you promise me illumination, I want the kind of illumination that can never be taken away from me. I want an illumination with the firmest roots.

 

Mirror: As I have promised, my sweet, all your divine imaginations will manifest instantly on this side where there are no delimiting conditions to impose trauma upon you. You had volunteered yourself to be a balancer of energies in the human world. That is why you took a share of their suffering through being parted from your mud home. Don’t you think there is a grand purpose behind the artistic arrangement in which they have displayed you?

 

Lotus: I am thankful that I am still nestled in the company of my elder leaves. I want them to come with me when I go to your side.

 

Mirror: I promise that, on this side, they will become closer to you than you had ever experienced on your current side. But at this final stage, I wish you to be joyous in the fact that you and your green companions are being placed in an arrangement that is teaching the human world about the elegance that reveals itself with the lightest touch. Your green companions can be curled, rolled, and loosely folded into sculptures of sheathe-like cradles. They are not tough, only that they had been previously bendable by the winds. You are the most delicate wonder of all, my sweet. You have barely surpassed the raw greenness of your budding stage. Yet the replenishing effect of your cream finish seduces the world with your shy composure partly concealed by the pillow protection of your green companions, no matter which angle a human looks. Remember that humans are limited by the angle from which they look. You, on the other hand, made it a daily practice to open yourself to infinite stores of dew at every sunrise. You were destined to continuously open, my sweet. And that is why you will always carry the memory of the skies…

 

****************************************************

And so, the promise to Cream Lotus is kept. Upon transitioning to the Infinite side of the Mirror, Cream Lotus is given a head abundantly covered with roots from which golden-white hair flows…in memory of her Cream past where ancient treasures from the greetings of every sunrise shone daintily through her white petals. Her roots are kept…only this time, they are not held in underwater mud. On the Infinite side of the Mirror, her roots breathe freely into snow-releasing hair…to remind her that she too can have mastery over the iciest of seasons…rather than having to hide from every icy season by entwining with the underwater segment of her stem as she had done during her previous pond existence.

 

Her Elder Leaves are now transformed into snow robes draping her more intimately than she had ever experienced in the garden pond that had once been her home. Their widely porous snow nature ensures that her flesh will never be suffocated by any imposition. The warmth of her illumination further neutralises the snow into a perfect translucency of balance. And so, the promise of endless adaptability is also kept. No outside agent can possibly cause her any discord. And even the melting of the snow robes is never a loss. For her golden-white hair releases snow to be interlaced into robes by the weaving of her imagination, bestowing her with a continuity of veiling companions that she has always treasured since her days of meditating as a ballerina bloom upon a single stem in the garden pond.

 

The white enchantress then looks longingly upon the completely browned remains of her previous existence on the other side of the Mirror, only to say farewell to those remains that are now being taken away to be returned to the pond from whence Cream Lotus and her Elder Leaves had been previously birthed.

 

And how compassionate of the housekeeper…to return the embodiments of impermanence to their muddy source…rather than throwing the dead components into the rubbish like many others in the human world would have done.

 

 

* I love writing short stories with fantastical or fairytale themes. So if anyone wants any short stories along those lines, I would love to write them for you. Please contact me at lalipanilubol45@gmail.com

All rates negotiable.

Thank you.

An entourage of emerald leaves remains in a weakening hover,
the edges torn old into premature autumnal paper
all hanging loose and burnt by too many sunrises…
…while at the centre of the collective withering,
a single lotus faithfully retains all its snow petals down to the first bloom,
almost too perfect to be rooted to a pond
crowded by element-worn greens standing ever so
ready to return to the soil-tomb…

…a glowing tea-bowl amidst pancake rags rapidly losing their will to hold the last dew…

An unconditionally open gateway stands in solitude upon a blanket of clouds. No constructed thresholds to demarcate any boundaries between this realm and the next. No place even for the semblance of doors, for there can be no polarity between that which opens and closes. And it is not so much permissiveness, as there is no forbiddance to oppose it. Such is the fleeting attempt to observe statelessness — a humble entrance as square as a timeless window resting firm upon a blanket of rapidly thickening then ebbing vapour, cloaking an unnoticed mountain top…a placeless place of sorts where ghostly memories pass through…

 

A certain memory passes through, only to tumble down the cascades of clouds…

 

The memory flies over a pond in that uncaptured moment before the earth acquires colour. The pond remains washed over in a classic grey coating of a refined photograph…as if reminiscing its original Way that once was the most elegant dream. It is the pond’s marsh-home that allows it to experience cyclical reflections of its elegant origin…the eternal song of “once and again”…and just as both sides of the heavenly gateway share each other’s substance as if mirror and ungraspable air were interchangeable, the pond’s surface reflects all that passes over it without the construction of spaces in-between.

 

A light trail of lily leaves spreads itself upon the pond’s surface into a crescent path of heart-shaped petals…spontaneously adored paper cuts freshly placed upon an endlessly rippling glass sheet. They appear to be in love with their individuality far too much to be stacking over each other in the way forest leaves do…floating close without the complications of entanglement, much like the longest lasting friendships.

 

The language of the skies never blankets over the same page of earth and air twice. No wonder the mind restless to cling onto constructs of solidity only falls into its own prison of insecurities…when in all ultimate Emptiness, the true comfort can be found in gently observing the immaterial cascades of clouds…

 

 

* I love writing about philosophy, spirituality, and cross-cultural issues. So if anyone wants any essays/articles on such subjects or on related subjects, I would love to write them for you. Please contact me at lalipanilubol45@gmail.com

All rates negotiable.

Thank you.

Dear God, will my path cross with Countryboy’s ever again? Ever? I realise it is a romantic ideal to hope for the two of us to be brought together as such in the afterlife. Before I met him, I used to think that I could only ever have one soulmate, and that that soulmate will be the one I would marry and have children with. After I met Countryboy, that belief was quite instantly destroyed. For that was when I realised that I could not marry the one I love. And if I ever do marry, that means having to love twice in my life. The ideal of the one and only soulmate does not quite align with physical reality I’m afraid.

 

I feel like I have lost my best friend. Circumstances, both mine and his, have been cruel to me. I always wonder how Countryboy is doing, how life is treating him, is he eating well, sleeping well, how is he coping with the stresses of his work…and of course, I wonder if he misses me at all, amidst all the chaos that he may find himself in from time to time. Does he miss my cooking? Does he miss my teas and chocolates? Does he miss my companionship, my counsel, and my constant care for him throughout all the secret hours that we spent together…if I am to look forward to having that time with him again, it may have to be in the afterlife. For in this physical life, waiting for him is simply not an option.

 

No man in my life has ever had this much power over me. Absolutely none. Even the men in my family, young and old, have never had the tiniest fraction of this kind of power over me.

 

Before I met Countryboy, I had always been proud of the very fact that the opinions of men had never once determined my attitudes, my values, and my body image. Never in my wildest dreams would I fashion my appearance to please men. Never would I make myself polite, submissive, or even sweet-natured to please men. I never allowed fakery and pretense to contaminate my character. Honesty has always been my code of honour.

 

And I still hold to such a grounded position to this day. Even in my selection of male friends, I still hold to the principle that I only associate with ‘nice men’. The slightest trace of bastardliness would instantly cut them off my list of gentlemen friends. As I said, I don’t think my standards are too high at all, because I have met them.

 

However, it was when I met Countryboy that I came to know how it felt to truly desire to make a man happy. Wanting to make him happy was helplessly spontaneous…nature’s command. It was involuntary in a sense, very intensely driven by that uncontrollable force called ‘love’. It wasn’t so much that I threw ‘caution’ to the wind. Countryboy was a very good man, so there was nothing to be ‘cautious’ about. What I threw to the wind was not ‘caution’, but ‘logic’. It is not ‘logical’ to fall in love with someone whom you know for certain you could never have a future with. Still, it happened.

 

At the end of the day, it does not matter to me so much how faithful the TVB series is to the original novel by Liang Yusheng. For I am sure the series is the product of a brilliant collaboration between everyone involved: imperfect people creating a television series about other imperfect people of another time and space — characters larger than the imagination, inhabiting an alternative Universe where the beauty of tradition is woven into clans and secret societies like an epic multi-dimensional tapestry, where love at first sight determines the fates of those brave souls who believe unwavering, where lives are saved and destroyed by the most elegant martial arts and gravity-defying choreographies, and where love, duty, and honour are all one and the same…inseparable, meshed ever so intricately. I am of an ardent position that the most magnificent works of art are divinely inspired. The Hong Kong TVB series “The Romance of the White-haired Maiden” is certainly one of them.

 

Watching, studying, and writing about this series and its associated themes have taught me that there are very few souls in this physical world who can endure the torture of secrecy — for it is the nature of love to be expressed, not withheld. However if you find yourself confined to such a secrecy, you must make solitude your dearest friend. In solitude, that love will be expressed in endless floods of tears. And solitude will never judge. Solitude can only embrace you lovingly as you cry away sleepless nights, even as your stomach feels like it is being ripped apart from your inability to eat anything for days and days on end. The pain of a secret love has the most paralysing effect. Nothing could ever prepare you for it.

 

To those who share the same Fate as mine, you will survive that secrecy. Life will continue to flow forward with Grace. And I will tell you how I know that for sure. You will survive that secrecy, with indescribable dignity, because you have been “chosen”. As I said, there are very, very few souls in this world that can endure the circumstantial restrictions forbidding the confession of such a tremendous, uncontrollable force of love.

 

If you give up altogether, forsaking what your heart has helplessly taken on, then it was NEVER love to begin with. If it can be forsaken that easily, then it was only infatuation, NOT love. You must remember that the purest love is a mission, a divine calling…which is why it would never take root in a fast-food throw-away popular culture that treats relationships — romantic or otherwise — like superficial experiments, to be dismissed and rejected whenever inconveniences arise.

 

True love is not an earthly rose, for the fragrance of an earthly rose eventually fades with the withering of its host. True love is actually a heavenly rose, for a heavenly rose does not wither with the passing of time, and its fragrance never fades. Whatever laws govern the earthly realm, the heavenly realm transcends such laws. Which is why true love may not actually be of the linear earthly realm, as it clearly transcends earthly laws. The earthly realm is subject to evolution brought about by the effects of time. True love is timeless.

 

As I said, the most secret kind of love is perhaps one of the most sacred…the highest nobility. In so being, to love someone secretly is to embrace an entire bush of heavenly roses. And most certainly, it comes with the greatest cost, the greatest pain. For embracing the most gloriously fragrant bush of heavenly roses also means embracing the sharpest, longest thorns attached to it. If you are one of the rare souls “chosen” to helplessly take on the most secret kind of love, do you have any other choice but to stand the test?

 

I say this not because I want to brag about being “chosen” and what not. Really. I’m not the kind of person to brag about being torturously spellbound by love, as absurdly romantic as it may sound. If you fall into a situation where you have to keep your love secret, you would instantly come to a realisation that it is absolutely nothing to brag about. It is love that becomes your ultimate source of authority, which is why it should actually be a humbling experience. You would in fact feel ever so small and vulnerable precisely because of the immense power that love has over you. Nothing to be done. Timelessly irreversible.

 

“The Romance of the White-haired Maiden” ends ambiguously. Lian Nichang has yet to forgive her husband. Zhuo Yihung faithfully sits by the mountain pond, watching over the Yao-taan flower in the hopes that it will one day bloom and blossom, releasing its medicinal properties to heal his wife, to save his soul. In the ending scene, the heartbroken wife watches her awaiting husband from a nearby plateau. From such a distance, she stands ever so high above him, much like a goddess in deep consideration of her worshipper. I so wish there was a sequel. There hasn’t been one yet, as far as I know. However, if there is ever to be a sequel, I too shall await it, just like Zhuo Yihung who awaits the blossoming of his sacred flower.

 

Are you fleeing from Love because of a single humiliation?
What do you know of Love except the name?

~ Rumi

 

 

Paper Lily

19 August 2011

The wound from Zhuo Yihung’s blade that had penetrated straight through his wife’s back would eventually heal, physically. It is her emotional wound that determines the course of the rest of the story. After fleeing from her husband and from Wudang, Lian Nichang falls unconscious. She awakens to find herself with white hair. Upon seeing her own reflection on the surface of a pond, she screams in utter disbelief, as no young woman of her age would come to acquire white hair in such a way!

And so, she decides to go to a cave and live in seclusion, still leading the lifestyle of a saviour of the poor and victimised, killing off the wicked and corrupt, tyrannical feudal lords, rapists, those who abuse defenceless women, children, and the elderly, those who oppose her ideas of justice. She still takes it upon herself to uphold all the justice and goodness of the world, considering that the legal system of the time is generally useless. She becomes the most famous hermit in the region, a heroine among the oppressed and disadvantaged.

Zhuo Yihung comes to discover a mysterious flower called “Yao-taan” that has the power to turn white hair black again. Hidden away in a mountain valley, the flower grows in a bubbling pond covered in thick swirling mist. However, its healing properties can only be put into use when it blooms and blossoms. And this flower only blooms once in a decade, or it could well be over a decade. The waiting, the patience involved could become torturous.

Of course, as Fate would have it, Zhuo Yihung finds his wife again. Yet this time, despite his incessant begging for forgiveness, she remains indifferent. Her white hair signifies the pain that remains activated deep in her heart after episode upon episode where her husband could not embrace and protect her as he had promised on their wedding night. Each time he finds her, under whatever circumstances, he would try to win her back. Again and again, she would reject and escape him, setting off abruptly by flight and speed. Even after his attempts to persuade her that the Yao-taan flower will heal her, she remains under the intense conviction that physical wounds may heal, but emotional wounds do not. At least, not hers.

I don’t want to retain that metaphorical white hair with me; I am too young to be carrying around that metaphorical white hair, even though it may only be metaphorical. I may not be able to get rid of all the pain I have been through. Yet, I believe I am empowered enough to dilute the pain. My physical reality and my emotional reality must align as harmoniously as possible. That is my intention. Forgetting is impossible. Detachment remains a possibility.

In this physical reality, I could never be with Countryboy, as I was from the beginning forbidden by my morals and principles. There was no way that I could live with his baggage — baggage that is unchangeable and ever-present. Nor would I ever dream of changing that very fact of his life. For without that baggage, he would not be who he is now.

I have accepted it. His life and mine could never join together in the way that the most devoted birds make their nest. I knew it from the moment I met him — the silhouette of an emotionally worn out middle-aged man coming to open the glass door of his house especially to greet me for the first time in our lives. I had accepted it even before I knew it. When he opened that glass door, my Fate was sealed.

Now, even my dreams of being his make-belief wife are momentary ethereal pleasures that I must detach from. For the past 3 years, I have been telling myself to stay as grounded in reality as possible. I kept telling myself that “One day, I will marry someone else. One day, I will have babies with someone else”. And those 7 weeks when I was living next door to Countryboy would become ghostly remnants of my long-lost past.

Of course, telling myself over and over that if I ever do get married, it has to be with someone else, not Countryboy — that really has not helped. The fact that Countryboy was never an option for me to begin with was a fact of life that I had completely accepted from the first moment I met him. Yet the thought of potentially being with another man remains a mental and emotional difficulty. I have now come to a conclusion that it is no use trying to replace the past with the future. Countryboy and whoever it is that I potentially end up marrying are 2 completely different people, divergent as the sweet and the savoury.

Before I met Countryboy, I used to think that the only valid reason I would get married is to have children. And I still do think that way, generally. However, does that not sound so ironic? Story of my life really…ironies.

For as logic would have it, to marry someone especially to have children is to assess the suitability of my prospective husband by way of the checklist method: does he fulfil this and that criteria? Does he meet such and such requirements? In my case, I really don’t think my standards are too high at all because I have myself met them without question.

Not that I mean to brag about my level of intelligence (I am normally quite a modest person); however I really think it quite silly (and in the long term, stupid) to marry someone whose levels of intelligence and morality are too far below mine. And there are great benefits to selecting a potential husband by carefully weighing up the pros and cons, and especially by asking the all-important question: what kind of a father would he be? I do not understand women who end up marrying bastards, not that I expect other women to be exercising my kind of method in their selection process. Afterall, these things are highly personal.

Yet how ironic could it possibly be for me?!! Falling completely and helplessly in love with Countryboy was possibly the most illogical thing that could happen to me. For why on earth would one even look twice at someone whom one knows with absolute certainty that the object of one’s uncontrollable affection is not even a possible compatibility, both by way of lifestyle and by way of certain permanent fixtures in his life that completely conflict with my own values?!! Now, just writing down such a complicated sentence does not even make sense! The sentence structure doesn’t quite make sense. The content definitively doesn’t make sense! So that’s it! This whole thing has been completely senseless!

And I will tell you another instance of ridiculous irony that will always stay with me, although Countryboy may have already forgotten about it as it would not have meant the same thing to him. He told me once that if I ever have trouble dealing with my children and their mischiefs as they are growing up, call him up he told me, and he will give me advice. I could not help thinking: “Yes, children that I will have with someone else, not with you”. And it weighed heavily on my heart. As time passed by, that emotional weight turned into intense pain, until the time came when I felt I was about to collapse because of it. I miss him from the bottom of my soul. And by Heavens, I wish he knew…just how much…

There are such a vast range of reasons as to why love may have to be kept secret. Forbidding circumstances are a common thread weaving through all such reasons. Morals. Principles. Boundaries. Yet even if circumstances permit, there is the question of…is the object of your love ‘ready’ to hear your grand confession? What will happen to your friendship if you do confess? Will you lose them as a friend? I certainly did not want to lose Countryboy as a friend. In any case, he would not have been ready to hear my confession. I must admit that I had in fact fallen helplessly in love with a man who is not quite as spiritually mature as I, even though his physical age is 21 years ahead of me.

After everything I have been through, I am now of a position that love confined to secrecy must be one of the most sacred kinds of love. To love someone from the bottom of your soul, and not be able to tell them for reasons beyond your control, that is a curse and a blessing together. The curse is that the crying may never stop. It may become less and less frequent as time passes by. Yet there is no guarantee that it will stop altogether. The wound burns so intensely like a volcano exploding at the core of an iceberg.

The blessing is that the purest love endures throughout the most unbearable pain and suffering. As cruelly as the pain and despair of the secrecy rage on as though they are determined to torture the fabric of your soul to collapse, the purity of that love will transcend all. Despite being wounded by a thousand blades, the heart that carries the purest love rises like a balloon sailing gracefully through an embracing sea of clouds that remains a finely vapourous blanket — soothing, nurturing, and renewing itself even while immediately below it, the volcano of pain explodes uncontrollably.

The Wudang elder Bai Su plays a determining role in tearing apart Lian Nichang and Zhuo Yihung. His deep-seated prejudices against the savage ‘bandit’ cause him to have fits of anger at the very thought of a leading student of his academy being married to such an outlaw. Taking full advantage of Zhuo Yihung’s devoted sense of duty towards Wudang and the academy’s power to keep him within its walls — physically separating him from Lian Nichang in this cruel process of mental and emotional imprisonment — Bai Su devises a plan for his own daughter Bai Ur-hua to marry Zhuo Yihung. Bai Su manages to get the young Emperor to order the marriage to take place; and hence the elder’s grip and manipulation of the young man’s life are substantially tightened.

 

A forced marriage with another woman does not sway a good man’s faithfulness towards the one wife of his choice. That is something that we the audience would never have to fear. Zhuo Yihung’s unwavering loyalty towards Lian Nichang is more than admirable. It is actually an exceptionally rare quality for people in general.

 

As societal beings, we are exposed to societal indoctrination from birth. And that indoctrination, the overwhelming nature of social pressures, can sway even the most devoted of souls however determined they may be to serve their higher purpose. Zhuo Yihung’s indoctrination dictates him to lead his Wudang sect and divorce himself from Lian Nichang. Yet as torn apart as he is, despite all misunderstandings that could have destroyed his love for her, his intention to follow her to the ends of the Earth remains constant…in the end.

 

Bai Ur-hua is such an innocent young girl with the purest, kindest heart. Considering that she and Zhuo Yihung are forced to marry by the Emperor’s orders, Bai Ur-hua ironically ends up doing Lian Nichang a great service simply by understanding Zhuo Yihung’s undying faithfulness towards the courageous woman whom the Jianghu mainstream has always condemned as a savage demoness. Bai Ur-hua makes an agreement with Zhuo Yihung before entering the marriage that she intends to be like a sister to him, not a wife. It is to be their secret. Wudang and the rest of Jianghu society do not need to know of their agreement to make this forced marriage merely one of external appearances in obedience to the Emperor’s command. They will take care of each other as brother and sister; and indeed she has absolutely no intention to steal him away from Lian Nichang.

 

So what kind of a father would in the end kill his own daughter only for the sake of preserving his academy’s grand reputation? An urgent situation arises where Wudang’s people are endangered by an old enemy, and Lian Nichang travels to Wudang to save the day. She intends to use this opportunity to confront Zhuo Yihung about his marriage to Bai Ur-hua. In a private moment while he is alone with his daughter, Bai Su in desperation centres the most destructive energy within him upon the palm of his hand. And with that lethal hand he directs his cruel intent upon his daughter’s back, like the most violent piercing of the organs without splitting the outer skin, causing her to vomit blood and wounding her internally; her insides are destroyed beyond recovery. His plan is to accuse Lian Nichang of harming his daughter, especially so that Zhuo Yihung would misunderstand the woman he is still in love with, thinking that she is absolutely evil, and then he would forget her in an instant. Bai Ur-hua, barely alive in a paralysed state, obeys her father’s plan and leads Zhuo Yihung to believe that it was Lian Nichang who had harmed her with a murderous intent. Sure enough at that stage, Zhuo Yihung does not suspect that Bai Su could possibly use his own daughter as a tool for his own manipulative purposes in the cruellest way.

 

Heart-broken, Zhuo Yihung points his blade at Lian Nichang, asking her why in the world she had to harm such an innocent, loving soul as Bai Ur-hua. Lian Nichang insists that she never laid a hand on Bai Ur-hua, and never had anything to do with her other than speaking to each other. She looks into her husband’s eyes and assures him that she is telling the truth: never in her life has she ever hurt Bai Ur-hua.

 

Then by complete accident, the point of Zhuo Yihung’s blade cuts into the area just below Lian Nichang’s shoulder blade, near her heart in fact. He is frozen in shock as he holds his sword towards her, in utter disbelief that he had just cut into his wife’s flesh. Lian Nichang looks at her husband in absolute horror. She utters those brief yet monumental words that no woman as devoted as herself should ever have to say to her own husband:

 

“Are you really set upon killing me?”

 

Her husband has betrayed her for Wudang. That is a finality that for her is absolutely irreversible. Zhuo Yihung remains numb from shock, still holding his sword at her like a drained robot. Lian Nichang finally performs the legendary act that ultimately expresses the unbearable breaking of her heart. With the point of her husband’s blade still cutting into her flesh below her shoulder blade, she pushes herself upon the blade so that it penetrates straight through her back! One could easily think that she means to commit suicide! In that state of violent penetration, she gazes into her husband’s eyes, the pain of betrayal pouring forth like the most tyrannical force crushing both their hearts. She then pulls herself off and away from the blade that has penetrated her, her blood spilling and splashing onto the stone walls. She turns and leaves him in that crushed state between shock and paralysis. Following that torturous episode, Zhuo Yihung has an emotional breakdown amidst all the external cruelty that has gripped itself so forcefully upon his love for Lian Nichang.

 

Sure enough, Bai Ur-hua does not recover from the internal damage that her own father inflicted upon her. Just before she dies, she confesses to Zhuo Yihung that it was her father, not Lian Nichang, who destroyed her fragile body now in a state that is about to part from its life force, especially so that the Wudang leader would come to see the bandit outlaw as evil and manipulative. After fits of regret and sorrow, Zhuo Yihung leaves behind all the rank and status that Wudang had bestowed upon him. He becomes a nomad, looking far and wide for the love of his life…seeking, hoping, praying to win her back.

 

Finality. Yes. These past several weeks have led up my final attempts to shed away that most painful compartment of my heart. I don’t know yet if such attempts will amount to any success. So far, I have managed to detach myself from so much negativity. I wonder if I can be like the cyclical moon, dismembering and disembodying itself in the waning stage, slipping gracefully through the sheathe of the night canvas, shedding its old self, especially to hatch anew making its clean return in the new moon phase. To possess the shedding powers of the serpentine moon would be so wonderful…I can live with memories of Countryboy; I just don’t want to live with the pain of not being able to even be his friend. Bearing around such a pain is too hard for me, even though I have gotten very used to it over the years. I just want to release myself. I want to be free as a bird that has grown new wings.

 

If there is any metaphorical blood splashed all over the stone walls as is also the case for Lian Nichang, then I think the blood that has spilt from my emotional wounds has now dried. I hope so. There remain the stains. I can live with metaphorical blood stains, reminding me of what I have survived. That is definitely progress. And yet, detaching myself from the uncontrollable love for Countryboy remains an impossibility. I still care for him infinitely, in ways that I never before imagined I could ever be capable of.

 

Yes, circumstances that have been brought about have changed him so much; I can no longer relate to him like I used to. Since that stringent situation of his had arisen, I could sense that very unpleasant change about him that disturbed me to say the least. It drove us apart. He has never been unkind to me. He is just…brainwashed. That’s the closest description I can come up with. Disconnection may be too drastic a word to describe our relationship; a more accurate analogy would be the tearing apart of the tapestry of friendship that we have woven together over a very long time. There is still hope that the tapestry can be sewn back together. For the time being though, I must accept that it has been torn apart…and live with the rift, just as Lian Nichang must learn to live with the cruellest conditions that have driven her away from Zhuo Yihung. I pray for my constant praying to help me through this.

 

Today is Countryboy’s birthday. For his past birthdays, I used to send him cards and presents which always delighted him. This time round, I am not doing anything anymore. See, I could never be a wife to him in ‘real life’ as I know it. And so, I used to think of myself as his…make-belief wife…an imaginary ethereal wife looking after him in some kind of ‘floating world’. For a time, whether in close presence or over the phone and even email, I gave him all the warmth and nurturing in the world. That role is now over for me.

I should now mention that Ada Choi and Timmy Ho have the most mesmerising on-screen chemistry. I am absolutely thrilled that these 2 young actors were discovered back in the early 90s, and eventually after some TV experience, selected to perform together in this series. Despite Lian Nichang being one of the most demonised figures in Jianghu history reputed for her terrorising blood-thirst — an inaccurate reputation at that — the chemistry of the 2 actors meld and envelope their performance in the most subtle, gentle way. At times, watching them on-screen feels so pure and delicate, like spring-water. That’s the feeling that spontaneously comes to my mind, even though Lian Nichang remains an aggressive character throughout the series, regularly exercising brutal force to rid the world of injustice and corruption.

Enter Master Tia Fei-long who becomes godfather to Lian Nichang. The rituals of swearing — at times with blood or the exchange of precious tokens — to be godparent and godchild, blood brothers and blood sisters…these are sacred bonds that form the bedrock of the vast network of Jianghu cultures. Any wuxia novel, film, and TV series would feature at least some form of ritual swearing where people who are not related by blood forge a sacred alliance that is as strong as blood, as strong as family. And so Lian Nichang, out of instant respect and admiration, becomes goddaughter to Tia Fei-long whose high-profile noble house has acquired a dignified reputation among the Jianghu societies. Master Tia plays the most significant role in the highly complicated relationship between Lian Nichang — the rebel leader feared and hatefully marginalised by the Jianghu mainstream — and Zhuo Yihung, a gentleman of grand position in the Wudang sect — Jianghu’s leading warrior academy.

Upon seeing her so sad, Master Tia asks his goddaughter who in the world had caused her to be so upset and distracted. She tells him her story of her uncontrollable feelings for the warrior who belongs to a world of strict tradition and order, a society that had for a long time branded her as a hideous enemy. Master Tia’s methods of bringing Zhuo Yihung to his home, especially to fulfill his goddaughter’s wishes, are mischievous and drastic to say the least.

He sends two men — highly trained bodyguards by the looks of it — to track down Zhuo Yihung and capture him at the inn he is staying in. Hearing suspicious footsteps outside his room, he instantly awakens as if meditatively holding vigil in his sleep. The men in black enter his room, and he knocks them unconscious within seconds of a simple and elegant fighting sequence involving a humble table. Master Tia enters from behind the man whom he had confidently targeted to be his godson-in-law, and in turn knocks him unconscious.

Zhuo Yihung awakens in a wedding chamber, finding himself in the red silk coat of a groom’s outfit. As he comes out of the bedroom to meet Master Tia whom he already knew from his childhood, Master Tia presents his goddaughter who is wearing the traditional red wedding gown. Lian Nichang openly gives Zhuo Yihung the option of refusing the marriage; no matter what, she has always been on her own, and she has her dignity to preserve. Yet it does not take long at all for Zhuo Yihung to confess his feelings, despite knowing full well that marrying a “bandit” is a punishable violation of the rules of his Wudang academy.

“Nichang, you know that if you become my wife, you will be faced with obstacles and discrimination. Are you not afraid?”

In all honesty, I really would not mind such a spontaneous wedding as theirs. Not that I ever in my life intended to marry Countryboy. Yet if the sacred marriage can only take place in the realm of the imagination, then I would much rather live in my own imagination and ignore the restrictions of the physical reality that has so harshly confined and oppressed my feelings.

Master Tia as their respected elder witnesses Lian Nichang and Zhuo Yihung bowing down to Heaven and Earth as they take their silent vows. On their wedding night, he tells her that he does not want her to be a Jianghu warrior. He does not want to see her killing anyone, no matter how valid the reason. And she genuinely gives the impression that she would gladly make all sacrifices for her husband. If she had ever been cruel towards those she opposed, her husband has now melted that so-called cruelty. To be sure, I completely understand. A woman with any good sense about her cannot resist the one who has melted the hardness and staunchness that she has built up over a lifetime to defend her moral position.

Perhaps I also share the same Fate as Liang Nichang. The only difference is that Zhuo Yihung would certainly come to know how much she would sacrifice for him. And he would continue looking for her to the ends of the Earth. In my case, Countryboy will never know. At least at this stage, I don’t see how he would. I can only suffer in silence. As for the sacrifices, any recognition for them would dissolve away with the floods of tears.

The day after their wedding, the elders of Wudang come to take Zhuo Yihung back to their sect after condemning him as a traitor for marrying an assassin. After a sophisticated fighting sequence between Lian Nichang and the Wudang elders, the injury of one of the elders causes Zhuo Yihung to accidentally injure his new wife. It was an accident for sure. And the physical injury does not matter to her. She returns to her room where her wedding bed is still fresh, heartbroken that her husband seems to care more for his elders than for her well-being. The elders drag him back to the academy. Now that their Old Master has just died, the elders are intent upon trapping Zhuo Yihung into taking on the role of their new leader.

Circumstances. If we approach them from the perspective of the universal law of attraction, it is ultimately the individual who draws circumstances into their own life. What one holds in one’s mind, one draws to one’s life…the essence of what one holds in one’s mind that is. If you want love, give love. In my case, I gave out anger and bitterness for many, many years of my younger life; and now, I am suffering the burning paralysis that is necessary for all such anger to be cleansed from my own heart. The law of attraction operates across dimensions, and nothing in the entire Universe is exempt from its power.

As much as I would like to blame the Fates for the very fact that I met Countryboy all those years back, I have to take responsibility for my own karma. When I was much younger, I had sown the seeds of all the anger and vengeance of my past; and by God I have reaped the consequences. I know now that Countryboy came into my life because the pain and suffering I was made to undergo from crossing paths with him would come to cleanse my soul from so much accumulated negativity…like the flames that condition the metal that is strong and resilient enough to endure…the golden glow of the great burn…beautiful yet torturous, like the harshest instructions of the most precise, the most power-giving sage.

Zhuo Yihung does not mean to hurt his wife. Yet it is his weakness that hurts her over and over. It is not that he wants to let such weaknesses overwhelm the direction of his life. He is merely the victim of a victim consciousness; and we all go through such phases of playing victim, at least at some stage in our lives. The ultimate intent of a well-meaning individual may be pure and loving. It is the consequences. It is unpredictable, the depth of their imprints.

And what could I do? Those 7 weeks when I was living next door to Countryboy were so very short and limiting. Only in my dreams did I want that time to last forever. In physical reality however, I had to move into Edinburgh in September to start my PhD. So all I could do during that time was pray, meditate, and lovingly condition my consciousness. I told the celestial powers that be that I knew I could never be with him. I only wanted to make the most of the precious time I had left with him while I was still living next door to him. I wanted to make him happy. That was all. And I’m sure I did.

Countryboy is a very good man. Good men like him are one in a million. He has never once done anything to hurt me. And I’m sure he never will. I still insist to this day. I knew from the first moment I met him that he was too pure to make anyone victim; quite the contrary, he would be the one falling victim as others take advantage of his purity. Absolutely, he has made terrible mistakes. And strangely enough, I could not bear to judge those mistakes. For I would not love him this much and this deeply if he had nothing to regret in his life.

And yes, he can also be very weak. I have seen it. He is 21 years older than me, yet I do believe that I am in much greater control of my own life than he is of his. I fear for the situation that he has now gotten himself into. His current situation has forced me to cut off my usual contact with him. He does not seem to realise this, as we still email each other on and off. Yet we can no longer talk on the phone for hours and hours at a time like we used to. He has fallen into a controlling situation, and I could psychically sense that ever since I came to know about it. I would say he is brainwashed, in much the same way that Zhuo Yihung is brainwashed by the elders of his Wudang sect. Countryboy has yet to awaken from the habitual patterns that have brought about the confinement of his lifestyle.

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